book

Oh for the love of Holdens...

1968 Holden HK Monaro-02 Affirm Press will be publishing an anthology later in the year called "It happened in a Holden", and I am honoured to be one of the writers contributing to the book!

It should be a great compilation and I am honoured to be a part of the project

Here is a sneak peak of what I wrote...

"‘Hey, you,’ the portly figure across the road called in my direction.

I looked around, was he talking to me?

‘You, over there!’ He was now pointing at me through the throng of people walking across the road, intermittently blocking my view.

‘Who, me?’ I mouthed, pointing at my chest, bending the vinyl Summernats logo printed on the shirt.

‘Yeh, you! Come over here!’

I hesitated. The man was bald, sporting a biker’s beard and a t-shirt with a naked lady on the front. The market store he was standing next to wasn’t much better, and cheeky sloganed t-shirts were just the beginning. Every piece of Summernats paraphernalia from stubby holders to novelty pens seemed to have found its way into this guy’s tent.

Oh, what the hell, I thought, as I made my way across the road, ignoring every ‘don’t talk to strangers’ lesson ever taught. Weaving in and out of the crowd, I passed a gorgeous Camaro parked by the store, and only just resisted the urge to stroke its bonnet. Control yourself, girl! I reprimanded myself silently. The last 1960s model stirred something in my chest that gave me the jitters. "

What is your favourite Holden?

 

***

Book Review: STOP PRESS

Just finished reading this short and punchy 'history' book, written by Rachel Buchanan.

'STOP PRESS' is one of the Published Scribe's Media Chronicles, a series of first person accounts about the changes in the mass media that we are now a part of.  I was actually sent this particular book by Crikey as part of my subscription which I am thoroughly enjoying and is probably where I get most of my Australian news from.

Shameless promotion aside, the book and the Chronicles are timely, given never-ending public lament on the death of the newspapers.  Circulation is down across almost all dailies in Australia, revenue is plummeting and it seems the grieving has begun before 'Time of Death' has even been called.

It is interesting to ask whether this is a history book or not.  Rachel's friend, quoted in the book, seems to think so.

[box] "I started to explain that I was writing about the present, about how newspapers were made now, but my friend interrupted. 'Yes it is,' she said. 'We are history Rachel. You are writing a history book.'" [/box]

Perhaps.  Buchanan chronicles the huge change in the world of newspapers over her lifetime, a change that has occurred so rapidly it is no wonder folk are blinking their eyes, shaking off twittering birds circling above their head.  The fall of newspapers has been rough and undignified in a way.  Rachel writes nostalgically of hot metal presses; proud, loyal distributors who would do anything to get the paper out on time, an entire industry devoted to reporting, writing, producing; intellectuals in their own world that are unused to this recent loss of importance.

Again, like other books and films, I become nostalgic for a time I never knew.  The world seems foreign yet romantic in a way that reminds me of period-films; movies set back in time that make you wish you were there.  Sometimes though, you realise if you were, you probably wouldn't have been living the life shown on screen.  After all, when in history were coloured people ever the ones inhabiting mansions?  Downton Abbey, for shame.

What Rachel does well is highlight that the (alleged?) death of the traditional press (if it can be called a death - after all, the book claims that the national circulation is still 11 million) does not just mean the loss of jobs for reporters and journalists, but of the entire industry around the 'press' itself.  This was an angle I had not really considered before.  Newspapers were a 'manufacturing' industry, and with the decline in manufacturing around the West generally, newspapers naturally followed suit.  The book does well here, giving life to all from the paper mills to the ink stained men working the presses and the local distributors, stuffing papers with inserts every night.

Yet, I feel there is a unnecessary conflation between the death of the newspaper and the death of 'quality journalism'.

I was born early enough in the nineties to not have grown up with the internet as integral to my life as air.  I grew up in a family that lived on newspapers; until today I pick up copies of The Australian (I do love a broadsheet) and the Financial Review (and SMH/The Age if travelling) whenever I get the chance.

However, it strikes me that all the lament is coming from those who played a role in the old world of the press.  Personally, I feel like news is news is news.  Online I can be my own curator, add to the discussion and diverse voices can be heard, and, well, that is just fine with me!

Yes, the traditional world of the press is not as ubiquitous as it used to be (in the West, the East is still a little different).  Neither is the world of vinyl, or horse driven carts.  New technology is different, but it doesn't make it any less valuable, if we treat it with the same level of respect as we did its predecessor.

The old school press might be dying, but journalism doesn't have to.  In fact, I don't think it is.

Stories that are truly investigative and revolutionary might not occur every day, but the recent Edward Snowden upheavals are examples of the fourth estate really showing why it remains a pillar.

The internet has shaken things up for the capitalist world, which thought it had its revenue streams all figured out.  In a way, I like the upheaval and the change.  It means the power has shifted - or at least, has the potential to shift - from powerful (single-demographic) men who controlled it all, including what the public saw as the truth.   Too much power with the one demographic is never really much fun.

I've never heard a person my age lament the death of the paper; we read the news on our laptops, phones, iPads and just get on with life.

Yes, things are different.  The money for editors, sub editors and the like isn't what it used to be.  The structures are changing.  Buchanan's book is a chronicle of that change.

Still...

Change brings new beginnings, and I am excited to see what we young people make it.

It's going to be a fun ride :)

On the Stalking of Julia Gillard

"How did we ever let her go?"

Those were my first thoughts.

The Julia Gillard who graced the stage with Anne Summers in conversation a few months ago now was charismatic, charming, engaging, articulate, wise (I could go on!) and pretty well looked like someone who would be a fantastic leader for our country.

The woman on stage in the Sydney Opera House for the hour and a half special seemed miles away from the Julia Gillard that the Australian people had become accustomed to.  Was this really the same women that the country so desperately hated while she ran the Government for just over three years? Was this the same Julia Gillard that graced our television screens for such a brief period of time?

So what happened? Where did this lady go in all the hullabaloo... and how or why did it all go so wrong?

the-stalking-of-julia-gillard-how-the-media-and-team-rudd-contrived-to-bring-down-the-prime-minister

 

The Book

I recently finished an interesting book by Kerry-Anne Walsh, 'The Stalking of Julia Gillard'.

The Allen and Unwin published piece is an interesting blow-by-blow account of the years of Julia Gillard's reign.  It illustrates how relentless white-anting from within her own party coupled with the obvious campaign against her in the predominantly Murdoch-owned media led to the misrepresentation of our first female leader and her eventual downfall - and for what?  It was an interesting read, and brought up feelings quite similar to guilt.

How did we not see the good work that she was doing, the book asks.

We, the Australian public, were not allowed to, Walsh replies.

It is an angry read in parts; angry for the treatment of our first female Prime Minister, angry for Julia as a fellow human being, angry at the press gallery for failing in their role as the fourth estate. I felt like I was having a heated conversation with someone who really cared about Gillard, and someone who in hindsight, wished more were done. What could have been done by us isn't really explained, but as they say, admitting there is a problem is half the battle.

Naturally, Gillard is not blameless. Many Australians still hold deep resentment that she arrived on the scene in the way she did, through what was seen as the 'knifing' of a colleague.  Whether that is an accurate representation of the events we may never truly know, but that is how the picture was painted for the public.  Unfortunately, perceptions like that tend to stick around.

Walshes writing had an obvious bias, but in the wake of the conversation with Anne Summers, I began to wonder - how will history remember Gillard, and what lessons do we as a community take from the last three years?

That question: gender? 

As Julia herself admitted, the fact that she was a female in her role doesn't explain everything, but it doesn't explain nothing either.

My hope is that there is more 'nothing' than 'everything', and that the way that Julia was treated - not only by the media and colleagues but by the public in general - does not deter other young women from aspiring to a similar role.

There is evidence to suggest some women who strive for such leadership positions do not even consider their gender as an impediment or a factor until they get there and realise that it somehow plays a part. The 'ugly, violent sexism' that Gillard and her image were subjected to during her term however, were shocking for many - not least of all Gillard herself, as she fit nicely into the aforementioned category.

The public discourse has been drenched in questions around the role gender played in Gillard's treatment.  Prominent feminists such as Anne Summers herself have admitted to being truly shocked at the capacity of our progressive society to produce such callous content.

However all is not lost, and sometimes success is the best form of response.  Rather than focusing what hateful individuals propagate, or dwell on the fact that a TV show was made about a sitting PM, let us focus on the fact that we had a female PM who had a relatively successful parliament.  Let us use her example as incentive for other young women as proof that you can make it.

Yes, it might be a rose tinted view accented by the optimism of youth but surely it is the way to go.

If people have a problem, they will find any flaw or weakness they can to exploit.  The fact that the female gender is seen as an exploitable weakness is unfortunate, but if someone's gender is the best insult thrown at them, well it isn't much of an insult at all!

This is not to say that we should brush issues under the rug, or investigate why there remains a strong undercurrent of misogyny in our society.  By giving the detractors so much attention in the public discourse though, we are legitimising their actions and beliefs in a way that they don't deserve.

My father always repeated a common Arab saying to me while we were growing up:

The camel walks while the dogs keep barking...

There will always be those who are vocal, violent and sexist.  The fact that we now have a history of females in the highest offices in the land though, is an indicator that gender is not an insurmountable obstacle.  It might not be easy, but hey - societal change never is.

Let's just keep walking - after all, no self-respecting camel deigns to even acknowledge the barking dogs...

Excited? The Sydney Writers' Festival is on!

The Sydney Writers' Festival looks insanely awesome this year!! Are you going to be there?

There are the likes of Barack Obama's Chief Digital Strategist, Anne Summers, Ruby Wax, Slam Poetry... ahhhh! I am so excited!

Are you going to be there? Who are you excited to see??

If you are free and around, maybe you can pop by and check out lil ol' me talking about big ol' issues like Women and Power and a "young lady's survival guide to life on the rigs"...

Should be fun ;)